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Rachel Ruysch, A Bunch of Flowers on a Stone Ledge.
Sold in 2014 to a trustee of the National Gallery of Art, Washington; promised gift to the museum.
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Jan Pieter van Baurscheit the Elder, The Four Seasons.
Sold at TEFAF 2019 to a private collector; promised gift to the Boston Museum of Fine Arts. -
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Frans Francken the Younger (1581 - 1642)Death and the Miseroil on copper16,4 x 13 cm -
Artus Quellinus the Elder (Antwerp 1609 - 1668)Virgin and ChildCarrara marble, on the original black marble pedestalheight 51 cm -
Alida Withoos (1659/60 - 1730 Hoorn)A Study of Monkshoodwatercolour on laid paper330 x 230 mm -
Anna Ruysch (The Hague 1666 - 1754 Amsterdam)A Still Life of Flowersoil on canvas65 x 54 cm -
Pieter Jansz. Quast (Amsterdam ca. 1605 - 1647)A Dancing Jesterblack chalk on vellum195 x 153 mmnumbered '21', upper right -
Frans Snijders (Anwerp 1579 - 1657)A Double-sided Study Sheet with various Animalspen and ink, brush and wash on paper
216 x 155 mm -
Hans Peisser (Hassfurt 1506 – after 1571)Galateafruitwood30 x 20 cmsigned ‘Hans.Peisser’ and dated ‘ VO. Hasfert 1525(?)’ -
Sebastiaen Vrancx (Antwerp 1573 - 1647)Ascanius killing Silvia's favourite Stagpen and ink, brush and wash on laid paper115 x 157 mm -
Lucas Faydherbe (Mechelen 1617 - 1697)Bust of a Bacchanteterracottaheight 69,5 cm -
Willem van Mieris (Leiden 1662 - 1747)Perseus and Andromedabodycolour and gold on vellum131 x 153 mmsigned and dated ‘W. Van Mieris F. An° 1691’ -
Jan Fijt (Antwerp 1611 - 1661)The Deer Huntoil on canvas58,5 x 82 cm -
Otto van Veen (Leiden 1556–1629 Brussels)The Martyrdom of Saint Andrewoil on paper28,6 x 19,3 cm -
Cornelis Saftleven (Gorinchem 1607 - 1681 Rotterdam)The Seven Deadly Sinsoil on panel34,5 x 42,6 cm -
Jan van den Hoecke (Antwerp 1611 - 1651)David and Abigailoil on panel36,5 x 54,5 cm -
Theodoor van Loon (Erkelenz 1581 / 1582 – Maastricht 1649)A Preparatory Study for 'The Assumption of the Virgin'oil on paper360 x 265 mm -
Jan Peeters the Elder (Antwerp 1624 - 1677)View of Antwerp from the Bastion of the Red Gateblack chalk, pen and brown ink, blue and brown washes on laid paper92 x 145 mminscribed 'Roy Poort tot Antwerpen', top left -
Jan Claudius de Cock (Brussels 1667 - 1736 Antwerp)An Allegory of Warterracottaheight 34 cmmonogrammed 'JCD', inscribed on the base 'BEL(lum)' -
Jan Frans van Geel (Mechelen 1756 - 1830 Antwerp)A Sheet of Studies for Wall Appliquespen and brown ink on laid paper160 x 150 mm -
Jan II Brueghel (Antwerp 1601 - 1678) & Frans II Francken (Antwerp 1581 - 1642)An Allegory of Fire and Airoil on panel53 x 74 cm -
Cornelis Schut (Antwerp 1597 - 1655)Cimon & Iphigenia, from Bocaccio's Decamerone19 x 28,7 cmoil on paper, laid down on panel -
Ferdinand Bol (Dordrecht 1616 - 1680 Amsterdam)A Portrait of a Gentleman standing by a Red Curtainoil on canvas108 x 87,6 cmSigned and dated 'Bol fec./1661’, lower right -
Frans de Momper (Antwerp 1603 - 1660)A nightly Fire near the Grote Kerk in Bredaoil on panel38 x 51 cmsigned 'Fd Momper', lower center -
Jacob Jordaens (Antwerp 1593 - 1678)Three Studies of a Man in a Jester's Hoodblack chalk and sanguine on laid paper215 x 160 mm -
Jean-Joseph Vinache (Paris 1690 - 1754)Apollo playing the Lyreterracottaheight 66 cm -
Frans Floris (Antwerp ca. 1519 - 1570)A Study Head of a Bearded Manoil on panel48 x 34 cm -
Gillis Neyts (OVERIJSE 1623 - 1687 ANTWERP)Two Sailors by the Seasidepen and brown ink on laid paper82 x 117 mm -
Adriaen Brouwer (Oudenaarde 1605/06 - 1638 Antwerp)Superbiaoil on a single oak panel23,2 x 15,9 cm -
Cornelis Schut (Antwerp 1597 - 1655)Two 'Capricci' with Puttietching on laid paper41 x 118 mm (1) and 45 x 62 mm (2) -
Cornelis Schut (Antwerp 1597 - 1655)A Bozzetto for the Circumcisionoil on panel55 x 39,5 cm -
Jan Erasmus Quellinus (Antwerp 1634 - 1715 Mechelen)Presentation Drawing for 'The Last Supper'brush and brown washes, watercolour, heightened with white, over pencil, on laid brownish paper680 x 435 mmsigned and dated 'Quellinus Pict(or) A(d). Cub(iculum). / Caes.(arae) Maj.(estatis) F. / A. 1689' -
Abraham van Diepenbeeck ('S-HERTOGENBOSCH 1596 - 1675 ANTWERPEN)"Pax Optima Rerum"pen and brown ink, brush and grey wash, over traces of black chalk on laid paper116 x 155 mmsigned 'AVD', lower right -
Josina Margareta Weenix (Amsterdam ca. 1684 – 1724)A Still Life of Fruitoil on canvas57 x 49,3 cmsigned 'I.M. Weenix', lower right -
Jacob Jordaens (Antwerp 1597 - 1678)Moses addressing Aaron and Miriamblack chalk, sanguine and brown wash on laid paper170 x 148 mminscribed 'j. Jordans', lower right -
Lucas Cranach the Elder (Kronach 1472 - 1553 Weimar) and studioSaint Christopheroil on panel48,8 x 35 cm -
Jacob Jordaens (Antwerp 1593 - 1678)A Still Life: a Design for 'The King Drinks'Sanguine, black chalk, heightened with white, on laid paper177 x 360 mm -
Theodoor van Thulden ('s-Hertogenbosch 1606 - 1669)The Lamentation: a Design for a stained-glass Windowpen and ink over black chalk on 5 sheets on laid paper195 x 55 mm x 5 -
Matthieu Ignace van Bree (Antwerp 1773 - 1839)Zeus and Hermes mourning Hector's Deathpen and brown ink, over black chalk, heightened with white and blue gouache, framing lines in brown ink, on blue paper287 x 395 mmcachet d'atelier 'MIVB', lower left -
Laurent Delvaux (Ghent 1696 - 1778 Nivelles)A Terracotta Model of a Sphinxterracotta21,5 x 42 x 16,5 cmmonogrammed 'D' -
Pieter de Jode (Antwerp 1573 - 1634)The Theological Virtues and the Four Evangelistspen and brown ink, brush and wash, over black pencil; incised for transfer203 x 273 mm -
Bonaventura Peeters (Antwerp 1614 - 1652)An imaginary (?) Coastal Viewwatercolor over graphite on laid paper166 x 390 mmsigned 'B.P', lower right -
Pieter de Jode (Antwerp 1570 - 1634)Design for a Frontispiece with Albrecht and Isabellapen and brown ink, brush and brown washes on laid paper183 x 133 mm -
Hieronymus Duquesnoy the Younger (Brussels 1602 - 1654 Ghent) (attributed)A Putto with part of a Cartoucheterracotta48 x 41 cm -
Peeter van Bredael (Antwerp 1629 - 1719)A View of the Antwerp Quaysideoil on canvas163 x 237 cmsigned 'Peeter van Bredael f.', lower center -
Sieuwert van der Meulen (? before 1683 - 1730 Alkmaar)A Study of a Sparrowhawkwatercolor and bodycolor over pencil on laid paper165 x 127 mm -
Willem Panneels (Aachen (?) c. 1600 – 1634 Baden Baden)Romulus and Remus, from 'Rubens' Cantoor'sanguine, heightened with white, on paper215 x 300 mminscribed by Panneels with Rubens’ cantoor number (verso): 221; inscribed (verso): 'M'; inscribed (verso): 'P. Rubens'; inscribed (verso): 'f2' -
Sir Peter Paul Rubens (studio) (Siegen 1577 - Antwerp 1640)Study for the Mystic Marriage of St Catherine (recto); Studies for a Last Supper (verso)pen and brush in brown and grey, sanguine and black chalk, white highlights, on laid paper230 x 355 mm -
Abraham van Diepenbeeck ('s-Hertogenbosch 1596 - 1675 Antwerp)Study for a multi-figured composition (verso); a letter to the artist (verso)pen and brown ink, brown wash on laid paper150 x 145 mm -
Jan Christiaan Sepp (Amsterdam 1739 - 1811)A moth from the Agrochola family and its host plantpen and brown ink, brush and watercolor on paper278 x 215 mminscribed 'Noct. Cypriaca' -
Abraham van Diepenbeeck ('s-Hertogenbosch 1596 - 1675 Antwerp)A sacrificial scene (after a fresco in the Château de Fontainebleau)black chalk on paper214 x 122 mm -
Theodoor van Thulden ('s-Hertogenbosch 1606 - 1669)Minerva and Odysseus on Ithaca (after a fresco in the Château de Fontainebleau)black chalk on laid paper198 x 250 mminscribed with the number '31'; inscribed 'Rubens' -
Jan Boeckhorst (Münster 1604 - 1668 Antwerp)The First Day of Creationoil on canvas60 x 74,5 cm
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