Salon du Dessin 2026 | Galerie Lowet de Wotrenge

Charles Herreyns (active in Antwerp ca. 1775 - 1815)
A Design for a Funerary Monument
pen and ink on paper
312 x 188 mm
signed lower left 'Ch Herreyns 1816'
Gillis Neyts (Overijse 1623 - 1687 Antwerp)
A Landscape with Travellers
pen and brown ink, brush and grey wash on laid paper
140 x 185 mm
Pieter Snayers (Antwerp 1592 - 1667 Brussels)
A Mounted Soldier on a Battlefield
pen and ink, brush and washes on laid paper
178 x 320 mm
Pieter Jansz. Quast (Amsterdam ca. 1605 - 1647)
A Man wearing a Fur Hat
black chalk on vellum
190 x 140 mm
Adam Frans van der Meulen (Brussels 1632 - 1690 Paris)
A Panoramic View with a Village
graphite, watercolour, pen and brown ink framing lines on laid paper
86 x 199 mm
Nicolas Verkolje (Delft 1673 - 1746 Amsterdam)
A Portrait Bust surrounded by military Trophies
pen and brush in black, over black pencil, on laid paper
126 x 161 mm
Abraham van Diepenbeeck ('s-Hertogenbosch 1596 - 1675 Antwerp)
A Sacrificial Scene
black chalk on paper
214 x 122 mm
Pieter Withoos (Amersfoort 1655 - 1692 Amsterdam)
A Song Thrush
watercolour and bodycolour on vellum
220 x 265 mm
signed 'pw', lower centre
Johannes Bronckhorst (Leiden 1648 - 1727 Hoorn)
A Study of a Butterfly
pen and ink, brush and bodycolour on laid paper
116 x 143 mm

5.750,00 EUR
Frans Snijders (Antwerpen 1579 - 1657)
A Study of an Ostrich
black chalk, pen and brown ink, brown wash, with a vertical strip of paper added to the right
250 x 180 mm
Johannes Bronckhorst (Leiden 1648 - 1727 Hoorn)
A Study of two Crickets
pen and ink, brush and bodycolour on vellum
118 x 145 mm
Pieter Jansz. Quast (Amsterdam ca. 1605 - 1647)
A Woman carrying a Basket on her Head
black chalk on vellum
190 x 140 mm
Tobias Verhaecht (Antwerp 1561 - 1631)
A Wooded Landscape with a Suspended Bridge
pen and brown ink, brush and wash over black chalk on laid paper
245 x 202 mm
Jacob Jordaens (Antwerp 1593 - 1678)
An Academy of a seated Male Nude
black chalk and sanguine, heightened with white, on laid paper
273 x 197 mm
Artus I Quellinus (Antwerp 1609 - 1668)
An Allegory of Winter
black chalk, sanguine and white highlights on paper
253 x 124 mm
Jan Brueghel the Elder (Brussels 1568 - 1625)
An Elegant Company traveling to Spa
pen and brush in brown, on laid paper
102 x 171 mm
Johannes Bronckhorst (Leiden 1648 - 1727 Hoorn)
An Emperor Moth
pen and ink, brush and bodycolor on vellum
118 x 145 mm
Jacob van der Ulft (Gorinchem 1621 - 1689 Noordwijk)
An Italianate Townscape
pen and brown ink, brush and wash on laid paper
293 x 405 mm
David Vinckboons (Mechelen 1576 - 1629 Amsterdam)
Bacchus finding Ariadne on Naxos
pen in brown, brush in grey on laid paper
68 x 114 mm
Godfried Maes (Antwerp 1649 - 1700)
Cadmus and Harmonia
pen and brush in grey on laid paper
176 x 236 mm
Louis de Caullery (Cambrai ca. 1580 - 1621 Antwerp)
Courtly Festivities with a Bullfight
pen and brown ink, brush and wash on laid paper
223 x 348 mm
Denys Calvaert (Antwerp 1540 - 1619 Bologna)
Danaë and the Shower of Gold
oil on paper
163 x 196 mm
Erasmus II Quellinus (Antwerp 1607 - 1678)
Design for a Print from the Series 'Nova Mundi Ætas Sancti'
pen and ink, brush and wash on laid paper
147 x 99 mm
Pieter II Verbruggen (Antwerp 1648 - 1691)
Design for the Pulpit of the Cloister of the White Friars, Antwerp
pen and brush in brown, sanguine on laid paper
370 x 265 mm
Jan Boeckhorst (Münster 1604 - 1668 Antwerp)
Diana seduced by Pan
watercolour over pen in brown and black chalk, on laid paper
184 x 200 mm
Theodoor van Thulden ('s-Hertogenbosch 1606 - 1669)
Minerva and Odysseus on Ithaca
black chalk on laid paper
198 x 250 mm
inscribed with the number '31'; inscribed 'Rubens'
Jacob de Wit (Amsterdam 1695 - 1754)
Neptune; Ceres, Cybele and Abundance (2)
watercolour over pen and brown ink on laid paper
175 x 113 mm (each)
Gerrit Pietersz (Amsterdam 1566 - 1612)
Phaeton before Apollo
pen and brown ink, brush and wash on laid paper
202 x 281 mm
Cornelis Visscher (Haarlem 1628/29 - 1658 Amsterdam)
Portrait of Philippus Rovenius
black chalk, white highlights and brush and wash on laid paper
130 x 117 mm
Cornelis Schut (Antwerp 1597 - 1655)
The Death of Saint Gertrude
pen and brown ink, brush and wash on two joined sheets of laid paper; squared for transfer
361 x 201 mm
Lucas Franchoys the Younger (Mechelen 1616 - 1681)
The Descent from the Cross
oil on laid paper
373 x 272 mm
Sebastiaen Vrancx (Antwerp 1573 - 1647)
The Farm
brush in brown on paper
110 x 147 mm
Cornelis Schut (Antwerp 1597 - 1655)
The Holy Family with the Infant Saint John the Baptist
pen and brown ink, brush and wash on laid paper; laid down on an old mount
82 x 82 mm
Jan Jozefsz van Goyen (Leiden 1596 - 1656 The Hague)
The Lighthouse at Petten
black chalk and wash on laid paper
111 x 165 mm
Inscribed upper right: 'Zeebaken te petten'
Cornelis Schut (Antwerp 1597 - 1655)
The Rape of Europa
pencil on paper
190 x 280 mm
Erasmus II Quellinus (Antwerp 1607 - 1678)
The Virgin and Child in a Sculpted Cartouche
pen and brown ink over sanguine, brush and brown wash, heightened with white
186 x 152 mm
Herman Saftleven (Rotterdam 1609 - 1685 Utrecht)
A man in a Hat kneeling on one Leg by a Basket, seen from the back; A ‘5 of spades’ playing Card on the verso
black chalk and watercolour (recto); bodycolour (verso)
84 x 52 mm
signed with monogram and dated ‘HSL 1663’, lower left
Jan Wildens (Antwerp 1586 - 1653)
A Wood Landscape with a Brook, a Village in the Background
black chalk on laid paper
244 x 357 mm
Pieter Quast (Amsterdam 1606 - 1647)
A young Mother showing her Child The Portrait of its Father
graphite on vellum
227 x 170 mm
signed and dated 'Pieter Quast f. 1640', lower right
Frans Snijders (attributed) (Antwerp 1579 - 1657)
Still Life of Game and Vegetables on a Table
traces of black chalk, pen and brown ink, brown wash
202 x 310 mm (corners cut)
with inscriptions ‘f. Snijders’ in black lead, upper right, and ‘Franciscus Snyders’ with pen and ink, verso
Pieter Quast (Amsterdam 1606 – 1647)
The Card Players
black lead on parchment
222 x 302 mm
signed and dated ‘Pieter Quast / 1638’, upper right; numbered ‘11’, lower right